I walked to the end of the island and on around the point to where the breakers can be seen from behind. I can’t recall having ever seen waves from any other vantage point other than straight on. They looked like horses racing toward an unseen finish line, their white manes flying in the wind of their speed, sweat spewing off their heads as they lunged toward the finish.
What delight there is in gaining a new perspective. Not that this alters the realities of Breaker Living, for truly this too is an apt depiction of our daily lives. Galloping at top speeds, nostrils flared, hair and sweat flying as we dash toward invisible goals, pushing through neck deep waters…yes this is everyday life. At least it is for me.
But it is not so onerous as I describe. Maybe it’s the perspective of a few days at Oceans Edge that has me seeing a beauty to all of it, a glory in the pursuit, in all the hard work, in the high speed pursuit of living, working, loving others and maintaining a rich, full and blessed life. Yes, perspective is what I’ve needed. An ability to get out of the Breakers and view them from the Ocean’s Edge as well as from behind. Its like seeing the forest instead of being lost in the trees. Though I’d still like to stay here at the edge a while longer, I’m grateful for the break from the Breakers.
Note 1: These Sketchbook entries are abstractions based on the Breakers.
Note 2: Knitting in the sand, purchasing groceries to feed the family, and other simple pursuits prevented me from posting this yesterday.😃
Being at the Ocean’s Edge is like having a figure drawing session available at any time of the day. Morning runners and walkers, ambling shell seekers, strike poses perfect for gesture drawing. Afternoon sun bathers sitting and lying down on bath towels provide more interesting angles to draw the human body. And evening sunset seekers standing around casually or walking in the direction of a fiery glow offer yet more shapes for quick sketches of movement, form, and energy. One could draw people full time here and not exhaust the many poses the human figure is capable of.
I love trying to capture a few of them, and I’m certainly going to include one or two stitched into my Ocean’s Edge Fragment. These sketches, as nearly all gesture drawings, are worked fast, catching only the tilt of the body, the movement or energy therein. One fella in a red shirt kept changing his position over and over as he sought the perfect shells. I have four different poses sketched quickly so as not to get my brain too involved. It actually helps to draw fast…your analytical brain can’t keep criticizing and correcting you and your intuitive brain can take over. I’d love to live there all the time!
The beauty of gesture drawing is that you tune into the energy in everything! I’ve been fascinated by the sea grasses this year and will certainly stitch them into the fragment with their flowing lines of wheat-like hair bent in the sea breezes. Clouds have a gesture of such breathtaking beauty I never feel I capture them adequately. And even the breakers…yes, the churning frothing waves have gestures ranging from ferocious to lilting and everything in-between.
I doubt I’ll be able to include all of these in my stitched fragment, but it is worth recording in some fashion the dynamic energy in all that surrounds me. Perhaps I can carry it back home to Life in the Breakers. But I shan’t think of that now. I am here!! And there are several more delicious days ahead of people watching and sketching and stitching.